» Full Credits
The Karate Kid
Makeup Department
E. Thomas Case (makeup artist) and Cheri Ruff (hair stylist)
Production Management
Howard Pine (unit production manager)
Second Unit Director or Assistant Director
Peter Choi (trainee assistant director), Clifford C. Coleman (first assistant director) and Hope R. Goodwin (second assistant director)
Art Department
Craig B. Ayers Sr. (greensman), Sam Gordon (property master), William F. Matthews (set designer) and Michael Muscarella (construction coordinator)
Sound Department
Norval D. Crutcher (sound effects editor), Samuel C. Crutcher (sound effects editor), Thomas Cunliffe (boom operator), Don Digirolamo (sound re-recording mixer), Robert Glass (sound re-recording mixer), Dean Hodges (sound mixer), J. Paul Huntsman (post-production dialogue), Robert Knudson (sound re-recording mixer) and Clive Taylor (sound recordist)
Special Effects by
Frank Toro (special effects)
Stunts
Johnny Atkinson, Clarke Coleman, David Crockett, Fumio Demura, Pat Green, Gary Hillenbeck, Douglas Ivan, Buck McDancer, Bob Nichimura, Pat Romano, Ronnie Rondell Jr., Spike Silver, Lance Turner and Scott Wilder
Camera and Electrical Department
Peter J. Breen (dolly grip), Malcolm Bryce (electrician), Allen D. Easton (first assistant camera), Brad Edmiston (first assistant camera), Joel Kirschner (second assistant camera), John London (key grip), Ross A. Maehl (gaffer), Tom D. May (best boy grip), Ralph Nelson (still photographer), Patrick G. Ralston (best boy), Stephen St. John (Steadicam operator), Jonathan West (camera operator) and Don Zobel (best boy)
Editorial Department
Richard Alderete (associate editor), Seth Flaum (associate editor) and M. Scott Smith (associate editor)
Music Department
Brooks Arthur (music supervisor), Stephen A. Hope (music editor), Russ Regan (music supervisor), Dan Wallin (score mixer) and Gheorghe Zamfir (musician: pan flute)
Transportation Department
Alan Falco (transportation coordinator), Chris Haynes (driver)
Other crew
Richard Davis Jr. (location manager), Pete Emmet (unit publicist), Alvin Greenman (script supervisor), Jeannie Jeha (production coordinator), Pat E. Johnson (martial arts choreographer), Pat Romano (instructor: bicycle riding)
The Karate Kid Part II
Makeup Department
John M. Elliott Jr. (key makeup artist), Stephen Elsbree (hair stylist), Jim Kail (makeup artist) and Cheri Ruff (key hair stylist)
Production Management
Howard Pine (unit production manager)
Second Unit Director or Assistant Director
Clifford C. Coleman (first assistant director), Christine Larson (second second assistant director) and Dennis Maguire (second assistant director)
Art Department
Giovanni Casalenuovo (painter), Sam Gordon (property master), Robert Ikeda (set dresser), William James Teegarden (set designer), Michael Van Dyke (construction foreman: Hawaii), Robert Van Dyke (propmaker foreman) and Hendrik Wynands (construction coordinator)
Sound Department
Jim Bullock (foley editor), Blake R. Cornett (first assistant sound editor), Don Digirolamo (sound re-recording mixer), Doreen A. Dixon (supervising adr editor), Robert Glass (sound re-recording mixer), Joseph Holsen (sound editor), Jay Kamen (adr editor), Robert Knudson (sound re-recording mixer), Tom C. McCarthy (supervising sound editor), Greg Orloff (foley mixer), Bill Randall (cable person), William Randall (sound mixer), Dennis C. Salcedo (cable person: supplemental unit) and David Stafford (boom operator)
Special Effects by
Dennis Dion (special effects foreman), Walter Dion (special effects), Paul Haines (special effects) and Al Wininger (special effects)
Visual Effects by
Syd Dutton (special visual effects) and Bill Taylor (special visual effects)
Stunts
Linda Arvidson, Erik Felix, Mike Hassett, Roger Ito, Lori Lynn Ross and Bill M. Ryusaki
Camera and Electrical Department
Craig Denault (camera operator), Alan R. Disler (first assistant camera), Brad Edmiston (first assistant camera), O.T. Henderson (dolly grip), John Lubin (best boy / grip), Ross A. Maehl (gaffer), Ralph Nelson (still photographer), James M. Sheppherd (key grip), Stephen St. John (Steadicam operator / camera operator), Ron Veto (key grip: stunt unit), Phil Walker (best boy) and Mario Zavala (second assistant camera)
Costume and Wardrobe Department
Eddie Marks (costume supervisor: men) and Elizabeth Pine (costume supervisor)
Editorial Department
Timothy Alverson (first assistant editor), Reid Burns (color timer) and Karen Kory (assistant film editor)
Music Department
Brooks Arthur (music supervisor), Tom Boyd (musician: oboe soloist), Jack Eskew (orchestrator), Stephen A. Hope (music editor), James Thatcher (musician: French horn), Dan Wallin (score mixer) and Masakazu Yoshizawa (musician)
Transportation Department
Alan Falco (transportation coordinator) and Harry Ueshiro (transportation coordinator)
Other crew
Peter Benoit (unit publicist), Pete Corral (location manager), Paul De Rolf (choreographer), Jose De Vega (choreographer), Jennifer Erskine (assistant to Jerry Weintraub), Joyce Wilson Fetherolf (assistant to director), Zenko Heshiki (technical advisor), Adam Hill (breakaway statue caster: Paramount Studios), Jeannie Jeha (production coordinator), Pat E. Johnson (martial arts choreographer), Dan Malmuth (assistant to director), Marshall Schlom (script supervisor), Doug Seelig (assistant to director), Stephanie Spangler (location scout), Yasukazu Takushi (technical advisor), Jamie Weintraub (assistant to Jerry Weintraub), Jody Weintraub (assistant to Jerry Weintraub) and Julie Weintraub (assistant to Jerry Weintraub)
The Karate Kid Part III
Makeup Department
Del Acevedo (key makeup artist), Ron Berkeley (makeup artist), Shanon Ely (hair stylist) and Cheri Ruff (key hair stylist)
Production Management
Lester Wm. Berke (unit production manager) and Linda Landry-Nelson (production manager: Introvision)
Second Unit Director or Assistant Director
Clifford C. Coleman (first assistant director), Hope R. Goodwin (second assistant director) and David N. Schrager (second second assistant director)
Art Department
Elijah Bryant (swing gang), Richard Evans (property assistant), Joseph C. Fama (construction foreman), Sam Gordon (property master), Dick Lasley (illustrator), Richard Leon (property assistant), Michael Muscarella (construction coordinator), Terry Shugrue (swing gang), Carl J. Stensel (set designer), Jerry Wax (lead man), Ronnie Sue Wexler (swing gang) and Robert Wittenberg (construction painter)
Sound Department
Eddie Becker (foley editor), William C. Carruth (adr editor), Don Digirolamo (sound re-recording mixer), Dean Drabin (foley mixer), Jack Dronsky (adr assistant), Susan Dudeck (foley editor), Robert Glass (sound re-recording mixer), Scott Hecker (supervising sound editor), Robert Knudson (sound re-recording mixer), Bobby Mackston (dialogue editor), Dan O'Connell (foley artist), Kay Rose (adr editor), Victoria Rose Sampson (supervising adr editor), Clem Sheaffer (cable person), Mary Ruth Smith (adr editor), Alicia Stevenson (foley artist), Barry Thomas (sound mixer), Joel Valentine (sound effects editor) and Forest Williams (boom operator)
Special Effects by
Dennis Dion (special effects foreman) and Walter Dion (special effects)
Visual Effects by
John Coats (producer: visual effects), Gene Dobrzyn (production coordinator: visual effects), Tim Donahue (art director: visual effects), John P. Mesa (visual effects cameraman), William Mesa (director of visual effects), Andrew Naud (producer: visual effects), David Stump (camera: visual effects) and Marcus Tate (producer: visual effects)
Stunts
Clarke Coleman (stunt double), Fumio Demura (stunt double), Thomas Dewier (stunt double), Pat E. Johnson (stunts choreographer), Carol Neilson (stunt double), Debby Lynn Ross (stunt double) and Tony Snegoff (stunt double)
Camera and Electrical Department
Ron Batzdorff (still photographer), Mike Benson (camera operator), Jeffrey R. Clark (first assistant camera), Gary J. Dodd (best boy), Gary R. Dodd (grip), Jim Dunford (best boy / grip), Scott Fieldsteel (best boy), Jack N. Green (aerial camera operator), Frank Keever (key grip), William Kenney (dolly grip), Ross A. Maehl (gaffer), Stan McClain (aerial camera operator), Edward Morey III (camera operator), Ralph Nelson (still photographer), Jeffrey Norvet (first assistant camera), Joe A. Ponticelle (second assistant camera), David St. Onge (best boy) and Elizabeth Ziegler (Steadicam operator)
Costume and Wardrobe Department
Michael Chavez (key costumer) and Thomas E. Johnson (costume supervisor: men)
Editorial Department
Douglas Brumer (assistant film editor), Gary Burritt (negative cutter), Phil Hetos (color timer), David Holden (additional editor), Jere Huggins (additional editor), David Jansen (apprentice film editor), Thomas G. Jingles (apprentice film editor), Trevor Jolly (first assistant editor), Frederika Kesten (apprentice film editor), Kevin Lindstrom (assistant film editor), Russell Paris (post-production coordinator), Mark Sadusky (assistant film editor), Rex Stewart (assistant film editor), Merry Tigar (apprentice film editor), Rick Tuber (assistant film editor) and Stanley Wohlberg (assistant film editor)
Music Department
Brooks Arthur (music supervisor), Jack Eskew (orchestrator), Stephen A. Hope (music editor) and Dan Wallin (score mixer)
Transportation Department
Richard Belyeu (transportation captain) and James E. Foote (transportation coordinator)
Other crew
Paula Abdul (choreographer), David Bandler (assistant: John G. Avildsen), James Barrett (advisor: bonsai plants), Howard Brandy (unit publicist), James Crabe, Richard Davis Jr. (location manager), Patricia L. DeShields (production accountant), Thomas Dewier (rappelling advisor), Joyce Wilson Fetherolf (assistant: John G. Avildsen), Sonny P. Filippini (script supervisor), Craig Hosking (helicopter pilot), Pat E. Johnson (martial arts choreographer), Kathryn J. McDermott (assistant: Shel Schrager), Roy Nagatoshi (advisor: bonsai plants), Karyn Saffro (production associate), Joyce Warren (production coordinator), Jamie Weintraub (assistant: Jerry Weintraub), Jody Weintraub (assistant: Jerry Weintraub), Julie Weintraub (assistant: Jerry Weintraub), Sarah Weintraub (assistant: Jerry Weintraub) and Anne Marie Yantos (production associate)
The Next Karate Kid
Makeup Department
Steve LaPorte (makeup artist) and Peggy Semtob (hair stylist)
Production Management
Fred Fontana (production supervisor) and R.J. Louis (unit production manager)
Second Unit Director or Assistant Director
Rosemary C. Cremona (second assistant director), Nicholas Mastandrea (first assistant director), Nancy Townsend (dga trainee)
Art Department
Peter Bankins (property master), Paul W. Gorfine (stand-by scenic), Tedi Tate (assistant property master), Christopher Welling (leadman) and Norman White (construction coordinator)
Sound Department
David Bartlett (supervising sound editor), Bob Beemer (sound re-recording mixer), Ruth Bird (assistant sound editor), Harry Cheney (sound editor), Stephen Hunter Flick (supervising sound editor), Mauriece Jacks Jr. (cable person), Drake Jenevein (assistant sound editor), Nicholas Vincent Korda (adr editor), Michael Minkler (sound re-recording mixer), Timothy Pearson (foley artist), Sean Rush (boom operator), Kirk Schuler (sound editor), David Spence (sound editor), David Williams (sound editor) and Andy Wiskes (production sound mixer)
Special Effects by
Chris Burton (special effects coordinator) and Dennis Dion (special effects)
Stunts
Barbara Bernhardt, Fumio Demura, Debbie Greg, Pat E. Johnson (stunt coordinator), Paul Marini, Norm McLean, Brian Ricci, Christine Rodriguez (stunt double: Hillary Swank and Brian Smyj)
Camera and Electrical Department
Richmond L. Aguilar (chief lighting technician), Brian Bernstein (assistant camera), Patrick Capone (camera operator), A. Anthony Cappello (second assistant camera), Phillip V. Caruso (still photographer), Andrew Casey (first assistant camera), Paul Caven (assistant chief lighting technician), Craig Denault (camera operator), Daniel C. Gold (first assistant camera), Ben Haller (key grip), Gary Kangrga (second grip), Scott McGowan (dolly grip) and Gerard Sava (second assistant camera)
Casting Department
Susan Peck (location casting) and Angela Peri (extras casting: Boston)
Costume and Wardrobe Department
Carole Brown-James (wardrobe supervisor: women) and Kent James (wardrobe supervisor: men)
Editorial Department
Tom Barrett (assistant editor), Ute Berthold (first assistant film editor) and Lindsay Mofford (apprentice editor)
Music Department
Ken Kushnick (music supervisor), Steve Livingston (music editor), David Passick (music supervisor), Jeffrey Pollack (music consultant) and Frank Welker (special vocal effects)
Transportation Department
Jimmy Flynn (transportation captain: Boston), Kenneth Johnson (transportation co-captain: Boston), Craig Pinkard (transportation captain) and John Yarbrough (transportation co-captain)
Other crew
Mark M. Ashley (production assistant), Barbara Bernhardt (assistant martial arts choreographer), Krisinda Cain (production assistant), Rick Clark (hawk trainer), Michelle Cooney (craft service), Sheri Davidson (assistant: Mr. Weintraub), Vicki Dunakin (location manager: Washington D.C.), Michele Durboraw (production secretary), Donna Ekins-Kapner (assistant: Mr. Cain), Evelyn Guerrero (assistant: Mr. Morita), Pat E. Johnson (martial arts choreographer), Andrew Lipschultz (unit publicist), Michael B. Louis (production assistant), Liz Mersky (production assistant), David Normand (location manager: Boston), Kristen J. Nye (assistant production accountant), Buz Presock (production assistant), Mike Revell (production accountant), Joanne Small (script supervisor), Peter Sobich Jr. (production assistant), Jamie Weintraub (assistant: Mr. Weintraub), Jody Weintraub (assistant: Mr. Weintraub), Joseph Weintraub (assistant: Mr. Weintraub), Julie Weintraub (production assistant), Rachel Weintraub (assistant: Mr. Weintraub) and Sarah Weintraub (assistant: Mr. Weintraub)